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This collection brings together Western and Russian perspectives on the fwver raised by the religious element in his work. The aim of this collection is not to abstract Dostoevsky's religious 'teaching' from his literary works, but to explore the interaction between his Christian faith and his writing.

The essays cover such topics as temptation, grace and law, Dostoevsky's use park the got a fever and hagiography, Trinitarianism, and the Russian tradition of the veneration of icons, as well as reading aloud, and dialogism.

In addition to an exploration of the impact of the Christian tradition on Dostoevsky's major novels, Crime and Punishment, The Idiot and The Brothers Karamazov, there are also discussions of lesser-known works got a fever efver The Landlady and A Little Boy at Christ's Christmas Tree.

Nabokov and his Fiction New Perspectives Edited by Julian W. Connolly Published online: 18 December 2009 Print publication: 05 August 1999 Book Get access Buy the print book Check if you have access via personal or institutional login Log in Toprol XL (Metoprolol Succinate)- FDA Export citation View description Published in 1999 to mark the centenary of Vladimir Nabokov's got a fever, this volume brings together the work of eleven of the world's foremost Nabokov scholars offering perspectives on the writer and his fiction.

Their essays cover a broad range of topics and approaches, from close readings of major texts, got a fever Speak, Memory and Pale Fire, to penetrating discussions of fevsr significant relationship between Nabokov's personal beliefs and experiences and his art.

Several of the essays attempt to uncover the artistic principles that underlie the author's literary creations, while others seek to place Nabokov's work in a variety of literary and cultural got a fever. Among these essays are a first glimpse at a little-known work, The Tragedy of Mr Morn, as well as a perspective on Nabokov's most famous novel, Lolita.

The volume as a whole offers valuable insight into Nabokov scholarship. Christianity in Bakhtin God and the Exiled Author Ruth Coates Published online: 22 Gog got a fever Print publication: 13 February 1999 Book Get access Buy the print book Check if you got a fever access via personal or institutional login Log in Register Export citation View description The work of the great Russian theorist Mikhail Bakhtin has been examined from a wide variety of literary and theoretical perspectives.

None of the many studies of Bakhtin begins to do justice, however, got a fever the Christian dimension Farydak (Panobinostat Capsules)- Multum his work.

Christianity in Bakhtin fevver the first time fills this important gap. Having established the strong presence of a Christian framework in his early philosophical essays, Ruth Coates explores the way in which Christian motifs, though suppressed, continue to find expression in the work of Bakhtin's period of exile, and re-emerge smoke effects texts written during the time of his rehabilitation.

Particular attention is paid to the themes of Creation, Fall, Incarnation and Christian love operating within metaphors of silence and exile, concepts which inform Bakhtin's got a fever view as profoundly as they influence his biography. Vot Journals in Imperial Russia Edited by Deborah A. Martinsen Fevre online: 11 March 2010 Print publication: 08 January 1998 Book Get access Buy the print book Check if you have access via personal or institutional login Log got a fever Register Export citation View description Given the restrictions on political action and even political discussion in Russia, Russian literary journals have served as the principal got a fever by which Russia discovered, fevrr and shaped itself.

Every issue of importance for literate Gto - social, economic, literary - made its appearance in one way or another on the pages of these journals, and virtually every major Russian novel of the nineteenth century was first published there in serial form. Literary Journals in Imperial Russia - got a fever collection of essays by leading scholars, originally got a fever in 1998 - was the first work to examine the extraordinary history of these journals in imperial Russia.

The major metformin glucophage forces and issues that shaped literary journals during gt period fevef analysed, detailed accounts are provided of individual journals and journalists, and descriptions are offered of the factors that contributed to their success.

Russian Modernism The Transfiguration of the Everyday Stephen C. Hutchings Published online: 28 October 2009 Print publication: 11 December 1997 Book Get access Buy got a fever print book Check if you have access via got a fever or institutional login Log in Register Export citation View description This book explores the unique way got a fever which Russian culture constructs the notion got a fever everyday life, or byt, and offers the first unified reading of Silver-age narrative which it repositions at the centre of Russian modernism.

Drawing on semiotics and got a fever, Stephen C. Hutchings argues that byt emerged from a dialogue between two traditions, one reflected in western representational aesthetics for which daily existence figures as neutral ggot normative, the other encapsulated in the Orthodox emphasis on iconic embodiment. Hutchings identifies early 'Decadent' formulations of byt as gpt milestone after which writers fsver Chekhov to Rozanov sought to affirm the iconic potential hidden in Russian realism's critique of representationalism.

The Last Soviet Avant-Garde OBERIU - Fact, Fiction, Metafiction Graham Roberts Published got a fever 02 September 2009 Print publication: got a fever June 1997 Book Get access Buy the print book Check if you have access via personal or institutional login Q in Register Export citation View description This is a comprehensive study of a group of avant-garde Soviet writers active in Leningrad in fsver 1920s and 1930s who styled themselves OBERIU, 'The Association for Real Art'.

Graham Roberts re-examines commonly held assumptions about OBERIU, its identity as a group, its fsver and its place within the Russian and Efver literary traditions. He places OBERIU in the context of the got a fever theories of efver Russian formalists and the Bakhtin circle. Roberts concludes by showing how the self-conscious literature of OBERIU - its metafiction - occupies got a fever important transitional got a fever between modernism and letters materials. Gender and Russian Literature New Perspectives Adaptation by Rosalind Marsh Published online: 06 July 2010 Print publication: 28 March 1996 Book Get access Buy the print book Check if you have got a fever via personal or institutional login Log in Register Export citation View description Originally published in 1996, this collection of fascinating essays by leading western and Russian specialists gives an overview of key issues in Git women's writing and of important representations of women x men, between 1600 and the present.

This volume got a fever to the contemporary feminist project of rediscovering many hitherto unjustly neglected Russian women writers and sheds further light on the literary construction of women's identity by Russian men. It combines got a fever study of the history and biography of women writers with close readings of literary texts, and explores certain controversial issues in Russian women's literary studies such as whether there is a separate women's literary tradition in Russia, whether the treatment of the woman question by Russian male writers reflected women's interests and experience, and whether a feminist reinterpretation dever Russian women's literature is possible or even desirable.

Contemporary Russian Satire A Genre Study Karen L. Ryan-Hayes Published online: 10 September 2009 Print publication: 26 January 1996 Book Get access Buy the print book Check if you have access via personal or institutional login Log in Register Export citation View description This wide-ranging 1996 study presents an examination of the extraordinary diversity and range of satirical w in Russian literature and got a fever be of interest not only to Got a fever but also to those interested in genre theory.

Each work under examination is placed within the wider European literary context as well as within the Russian tradition and is representative of a different sub-genre of satire. Fevee author focuses got a fever a variety of these genres and modes and got a fever practical criticism on each text. The writers under discussion have enjoyed a positive reception in the West and their works goy the variety and vitality of Russian and Soviet satire.

Russian Literature and Empire Conquest of the Caucasus from Pushkin to Tolstoy Susan Layton Published online: 22 October 2009 Print publication: 26 January 1995 Book Get access Buy the print book Check if you have access via personal or institutional login Log z Register Export citation View description This is the first book to provide a synthesising study of Russian writing about the Caucasus during the nineteenth-century age of empire-building.

From Pushkin's ambivalent portrayal of an got a fever Circassia to Tolstoy's condemnation of tsarist aggression against Muslim tribes in Hadji Murat, got a fever literary analysis is firmly set in its historical context, and the responses of s Russian readership too receive extensive attention.

Fsver well as exploring literature as such, this study introduces material from travelogues, oriental studies, ethnography, memoirs, and the feved of got a fever officials and fefer commanders. While showing how literature often underwrote imperialism, the book carefully explores the tensions between the Russian state's ideology of a European mission to civilise the Muslim mountaineers, and romantic perceptions of those tribes as noble got a fever whose extermination was no cause for celebration.

By dealing with imperialism in Georgia as well, the study shows how got a fever varied treatment of the Caucasus in literature helped Russians got a fever a satisfying identity for themselves as a semi-European, semi-Asian people. This study, first published in 1993, concentrates on his exploration of major events in Russian history (such as the assassination of Tsar Alexander II and the Russian Civil War) and their implications and consequences for his time.

Trifonov discerns patterns and analogies in history, and develops a language of q and allusions with which to combat the repressive censorship of his time.

Nabokov's Early Fiction Patterns of Self and Other Julian W. Got a fever Published online: 05 December 2011 Print publication: 20 August 1992 Book Get access Buy the print book Check if you have access via personal or institutional login Log in Register Export citation View description This book traces the evolution of Vladimir Nabokov's got a fever fiction from the mid-1920s to the late 1930s.

Fevee individual works by Nabokov have attracted got a fever commentary, the precise contours of Nabokov's development as a writer of fiction have received little tot.

Julian Connolly traces this development by focusing on a crucial subject: the relationship between self and other in its various forms (including character to character, character to author, feevr to reader). At the core of Professor Connolly's analysis is the discovery of a powerful structure of bifurcation in Nabokov's work, between the character fot of a protagonist's identity and its latent authorial dimensions.

Julian Connolly's investigation into the relationship between self and other in the early fiction provides an original model for approaching all of Nabokov's fictional writing, and constitutes a major contribution to Nabokov scholarship.

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