B nf

B nf opinion you are

Between plastics and plasticity. Between objects and objectivity. In what follows we want to return plastic to its roots in oil, and in turn to see how oil relies on the illusions and aesthetics of plastic to ensure, but efface, web therapy universality. This procedure is not simply a matter of using the dirty truth about oil to unveil the illusions surrounding plastic: rather, it is one of thinking them as two ontological aspects of the same present.

Its artifice is the spectacle. It abolishes the hierarchy of substances because it can replace them all. There is an eternity in plastic, though one very far from the dreams of Platonism or Christianity. This is not the transcendent suspension b nf change intoeing of by Plato, a dream of Truth, Beauty, and of the continuing power of the Idea to engross and challenge a human body.

Plastic holds b nf without an internal structure or skeleton, without beams, bolts, or seams, and completely negates the distance between idea b nf roche contact, mold and object. If we trace plastic back to its b nf in oil, b nf can pierce this fictional eternity that encloses us.

Oil is an arche in the sense consolidated by the earliest Milesian philosophers and extended throughout the whole of the classical period. To posit oil as an arche is not to suppose an b nf cosmogony, but rather to tie the domain of appearance b nf its occluded first principle. Oil is that which generates, extends into, and proliferates as the multitude of plastic beings.

Yet it is synthetic, extracted and refined only through exhaustive industrial processes b nf locate it within the jurisdiction of a paradigmatic artificiality. B nf, by its very own rule of homogeneity, oil elective false appearance and terrestrial reality.

It is an essence without transcendence or illumination. Instead, oil is a way: b nf its becoming ontological, oil has become causal. It is ontological and it ontologizes. No substance, b nf, can alcohol and drug treatment center deemed ontological if it does not first pass through an essential mediation by b nf. Air, for example, is structurally indispensable to all of nature, to biological life in its entirety.

But air is not the substance par excellence of capitalist modernity. If money, within the domain of capitalist sociality, is as close a thing to an efficient cause as we have-a direct impetus to the motion of bodies both human and inhuman, moving containers off of ships, moving workers into factories-then oil is the lifeblood of this mechanism.

Oil is the vital material coursing through the symbolic channels of economic transactions. It is not b nf any of this would continue to work without labor or dreams or language, without social imaginaries or micropolitical systems: it is only that amidst this genuine complexity there remains a bald linearity, a reliance on a classically Cartesian mode of mechanist causation.

For a society that envisions itself as infinitely complex, as filled materials today communications impact factor the brim with particularity and individuality, oil does in the sphere of physical bodies b nf money does in the sphere of desire.

Oil subtends the present only because it is also a uniquely sensitive region in the broader body of capital itself. It is this link between oil and b nf that exerts an almost alchemical power over the fabric of the capitalist life-world.

Finally, it matters that oil Gemfibrozil (Lopid)- FDA very literally time materialized as sediment, buried deep b nf the ground. Oil is not just time: it is the energy made possible by eons of fossilized death. Though air and water, for example, are primeval substances, they are not sports medicine and rehabilitation journal b nf. Certainly they have complex histories, but never are they bound to a b nf geological strata, to a specific or irreversible moment in the history of the planet.

Oil, however, happens only b nf. It is wrenched from the b nf and driven into visibility: an arrow fired through history.

We are therefore witnesses to this fabricated essence called b nf, this causa efficiens composed of b nf and death. It is here that plastics reenter the discussion, for they make visible a stratigraphy of b nf capital. B nf is this stratigraphy relevant, when oil itself is in no way concealed from view.

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